Senin, 17 Juli 2017

Fender David Lozeau Sacred Heart Art RW Special Edition

OVERVIEW
A versatile Standard Stratocaster wrapped in Lozeau' imaginative imagery.
People have taken to their guitars with brush, pigment and boundless creativity for ages, treating them not only as sonic canvases, but literal ones too. Take noted artist and illustrator David Lozeau, who has adorned a series of special Fender instruments with his acclaimed and colorfully twisted vision.

Lozeau has a quirky, character-driven painting style that wraps Day of the Dead iconography in a modern lowbrow aesthetic, blending fine art technique with illustrative humor to reveal his distinctive and funny perspective on life, death and all the interesting stuff in between.

The result is the Special Edition Standard Stratocaster David Lozeau, which takes the versatile Standard Stratocaster and wraps it in Lozeau' imaginative imagery. This wonderfully colorful Strat has all the fine Standard features players everywhere love, and it comes in dazzling Lozeau graphic finishes. Let the art of Fender and the art of David Lozeau inspire your art.
FEATURES
  • Body
  • Body shape: Double cutaway
  • Body type: Solid body
  • Body material: Solid wood
  • Top wood: Not applicable
  • Body wood: Alder
  • Body finish: Gloss top, satin back Urethane
  • Orientation: Right handed
  • Neck
  • Neck shape: C modern
  • Neck wood: Maple
  • Joint: Bolt-on
  • Scale length: 25.5"
  • Truss rod: Standard
  • Neck finish: Satin Urethane
  • Fretboard
  • Material: Rosewood
  • Radius: 9.5"
  • Fret size: Medium jumbo
  • Number of frets: 21
  • Inlays: Dot
  • Nut width: 1.653" (42mm)
  • Pickups
  • Configuration: SSS
  • Neck: Standard single-coil
  • Middle: Standard single-coil
  • Bridge: Standard single-coil
  • Brand: Fender
  • Active or passive: Passive
  • Series or parallel: Series
  • Piezo: No
  • Active EQ: No
  • Special electronics: None
  • Controls
  • Control layout: Master volume, tone 1, tone 2
  • Pickup switch: 5-way
  • Coil tap or split: No
  • Kill switch: No
  • Hardware
  • Bridge type: Tremolo/Vibrato
  • Bridge design: Vintage synchronized tremolo
  • Tailpiece: Not applicable
  • Tuning machines: Die-cast sealed
  • Color: Nickel/chrome
  • Other
  • Number of strings: 6-string
  • Special features: Body graphic
  • Case: Gig bag
  • Accessories: None
  • Country of origin: Mexico

Sabtu, 15 Juli 2017

B.B. King

"King of the Blues" B.B. King began as a disc jockey in Memphis before finding fame as a blues and R&B guitarist, with hits like "The Thrill Is Gone."

Synopsis

After serving in World War II, Riley B. King, better known as B.B. King, became a disc jockey in Memphis, Tennessee, where he was dubbed "the Beale Street Blues Boy." That nickname was shortened to "B.B." and the guitarist cut his first record in 1949. He spent the next several decades recording and touring, playing more than 300 shows a year. An artist of international renown, King worked with other musicians from rock, pop and country backgrounds. He won his 15th Grammy Award in 2009. B.B. King died in 2015.

Early Career

A singer and guitarist born into a sharecropping family on September 16, 1925, in Itta Bena, Mississippi, B.B. King—born Riley B. King—became one of the best-known blues performers, an important consolidator of blues styles, and a primary model for rock guitarists. Following his service in the U.S. Army, he began his career as a disc jockey in Memphis, Tennessee, where he was dubbed "the Beale Street Blues Boy." That nickname was soon shortened to "B.B."
King made his first recording in 1949, and the next year began a 12-year-long association with Kent/RPM/Modern, for which he recorded a string of rhythm and blues hits, including "You Know I Love You," "Woke Up This Morning" and "Three O'Clock Blues," which reached No. 1 on the R&B charts and became his first national hit. He also toured the nightclub circuit continuously, averaging more than 300 shows annually for over 30 years. His style of music earned him the title "King of the Blues."

Famed Guitar 'Lucille'

Coincidentally, the year that King made his first recording was also the same year that he named his beloved guitar. King attended a dance in Twist, Arkansas, that had a barrel lit with kerosene in the middle of the dance floor, used to keep the crowd warm late at night. While there, a fight broke out and the barrel was knocked over, causing a fire to spread throughout the venue. Everyone evacuated, including King, but he rushed back inside to retrieve his prized guitar.
Luckily, he managed to escape with his guitar as the building collapsed around him. King later learned that the fight erupted because of a woman who worked at the venue named Lucille. From then on, King named his guitar "Lucille" to remind himself never to do anything so foolish again.

Hit 'The Thrill Is Gone'

In 1962, King signed with ABC Records, which released Live at the Regal (1965), a benchmark blues concert album. In 1969, he released his biggest hit single, "The Thrill is Gone." The first bluesman to tour the Soviet Union in 1979, by this time he had also become the first bluesman to enter the pop mainstream, making regular appearances in Las Vegas, Nevada and on network television.
King also found commercial success with the many collaborations he made over the years, including with artists Eric Clapton, Elton John, Sheryl Crow, Van Morrison and Bonnie Raitt. In 1987, King was inducted into the Rock and Roll Hall of Fame

Highly-Acclaimed Musical Artist

One of music's best-regarded performers, King picked up the Grammy Award for Best Traditional Blues Album in 2006 for his duets album 80, having won the award multiple times over the decades. Later that year, he received the Presidential Medal of Freedom from President George W. Bush. The legendary singer and guitarist also became the subject of his own museum, which opened its doors in 2008. The B.B. King Museum and Delta Interpretive Center in Indianola, Mississippi, is dedicated to King's music, the music which influenced him, and the history of the delta area.
Also in 2008, King released his album One Kind Favor to critical acclaim. He did his own take on songs by John Lee Hooker, T-Bone Walker and Lonnie Johnson, earning yet another Grammy Award for his efforts, marking his 15th win. In February 2012, King played a special gig at the White House with Buddy Guy and others. He and his fellow performers were accompanied by President Barack Obama on the song "Sweet Home Chicago.

Recent Years and Death

King played more than 250 concerts per year well into his 70s. In his 80s, the number of tour dates the guitarist booked were more limited in number. His health had been deteriorating over the past few years. After a shaky concert in April 2014 at the Peabody Opera House in St. Louis, fans voiced their concern about King on social media saying he appeared to be suffering from Alzheimer’s disease or dementia. After that show, the blues legend issued a public apology for his erratic performance. In October 2014, the 89-year old fell onstage during a performance at Chicago’s House of Blues and cancelled several upcoming gigs. In a statement issued on his web site after the fall, it said the singer had been “diagnosed with dehydration and suffering from exhaustion.” But no matter where he was, King had his signature guitar "Lucille" in his hands.
While in hospice care, B.B. King died in his sleep on May 14, 2015 in Las Vegas, Nevada, leaving behind an enduring musical legacy.
In the days following King’s death, his daughters Karen Williams and Patty King said they believed King's manager LaVerne Toney and personal assistant Myron Johnson had poisoned their father. "I believe my father was poisoned and that he was administered foreign substances to induce his premature death," the daughters said in identical affidavits. "I believe my father was murdered."
A lawyer for B.B. King’s estate released a statement, saying: "The allegations are baseless and unfounded and are unsupported in reality. Ms. Toney did everything she could to carry out the wishes of Mr. King while he was alive, and continues to carry out Mr. King's wishes after his death."
On May 27, 2015, thousands of fans lined Beale Street in Memphis, Tennessee to watch a funeral procession in honor of the late blues legend, who was nicknamed the Beale Street Blues Boy.  King will be buried in Indianola, Mississippi, his hometown, on May 30th.

W.R. Soepratman

Tokoh satu ini dikenal oleh rakyat Indonesia sebagai orang yang menciptakan lagu kebangsaan Republik Indonesia. Dialah Wage Rudolf Supratman yang lahir tanggal 9 Maret 1903, Jatinegara, Jakarta dan wafat tanggal 17 Agustus 1938 di Surabaya. Dia terkenl sebagai pengarang lagu kebangsaan Indonesia, "Indonesia Raya". Ayahnya bernama Senen, sersan di Batalyon VIII. Saudara Soepratman berjumlah enam, laki satu, lainnya perempuan. Salah satunya bernama Roekijem. Pada tahun 1914, Soepratman ikut Roekijem ke Makassar. Di sana ia disekolahkan dan dibiayai oleh suami Roekijem yang bernama Willem van Eldik.

Biografi dan Profil W.R Supratman
Soepratman lalu belajar bahasa Belanda di sekolah malam selama 3 tahun, kemudian melanjutkannya ke Normaalschool di Makassar sampai selesai. Ketika berumur 20 tahun, lalu dijadikan guru di Sekolah Angka 2. Dua tahun selanjutnya ia mendapat ijazah Klein Ambtenaar.

Beberapa waktu lamanya ia bekerja pada sebuah perusahaan dagang. Dari Ujungpandang, ia pindah ke Bandung dan bekerja sebagai wartawan. Pekerjaan itu tetap dilakukannya sewaktu sudah tinggal di Jakarta. Dalam pada itu ia mulai tertarik kepada pergerakan nasional dan banyak bergaul dengan tokoh-tokoh pergerakan. Rasa tidak senang terhadap penjajahan Belanda mulai tumbuh dan akhirnya dituangkan dalam buku Perawan Desa. Buku itu disita dan dilarang beredar oleh pemerintah Belanda.

Soepratman dipindahkan ke kota Singkang. Di situ tidak lama lalu minta berhenti dan pulang ke Makassar lagi. Roekijem, sendiri sangat gemar akan sandiwara dan musik. Banyak karangannya yang dipertunjukkan di mes militer. Selain itu Roekijem juga senang bermain biola, kegemarannya ini yang membuat Soepratman juga senang main musik dan membaca-baca buku musik

Menciptakan Lagu Indonesia Raya
W.R. Soepratman tidak beristri serta tidak mempunyai anak angkat. Sewaktu tinggal di Makassar, Soepratman memperoleh pelajaran musik dari kakak iparnya yaitu Willem van Eldik, sehingga pandai bermain biola dan kemudian bisa menggubah lagu. Ketika tinggal di Jakarta, pada suatu kali ia membaca sebuah karangan dalam majalah Timbul. Penulis karangan itu menantang ahli-ahli musik
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Indonesia untuk menciptakan lagu kebangsaan. Soepratman tertantang, lalu mulai menggubah lagu. Pada tahun 1924 lahirlah lagu Indonesia Raya.

Pada bulan Oktober 1928 di Jakarta dilangsungkan Kongres Pemuda II. Kongres itu melahirkan Sumpah Pemuda. Pada malam penutupan kongres, tanggal 28 Oktober 1928, Soepratman memperdengarkan lagu ciptaannya secara instrumental di depan peserta umum (secara intrumental dengan biola atas saran Soegondo berkaitan dengan kodisi dan situasi pada waktu itu, lihat Sugondo Djojopuspito). Pada saat itulah untuk pertama kalinya lagu Indonesia Raya dikumandangkan di depan umum. Semua yang hadir terpukau mendengarnya. Dengan cepat lagu itu terkenal di kalangan pergerakan nasional. Apabila partai-partai politik mengadakan kongres, maka lagu Indonesia Raya selalu dinyanyikan. Lagu itu merupakan perwujudan rasa persatuan dan kehendak untuk merdeka.

Sesudah Indonesia merdeka, lagu Indonesia Raya dijadikan lagu kebangsaan, lambang persatuan bangsa. Tetapi, pencipta lagu itu, Wage Roedolf Soepratman, tidak sempat menikmati hidup dalam suasana kemerdekaan. Akibat menciptakan lagu Indonesia Raya, ia selalu diburu oleh polisi Hindia Belanda, sampai jatuh sakit di Surabaya. Karena lagu ciptaannya yang terakhir "Matahari Terbit" pada awal Agustus 1938, ia ditangkap ketika menyiarkan lagu tersebut bersama pandu-pandu di NIROM jalan Embong Malang - Surabaya dan ditahan di penjara Kalisosok-Surabaya. Ia meninggal pada tanggal 17 Agustus 1938 karena sakit.

P. Ramlee

This is a Malay name; the name Teuku Nyak Puteh is a patronymic, not a family name, and the person should be referred to by the given name, Zakaria. The Arabic word "bin" ("b.") or "binti"/"binte" ("bt."/"bte."), if used, means "son of" or "daughter of" respectively.
Tan Sri Datuk Amar Teuku Zakaria bin Teuku Nyak Putih (Jawi: تاوكو زكريا تاوكو ڽق ڤوتيه), commonly known as P. Ramlee (22 March 1929 – 29 May 1973) was a Malaysian film actor, director, singer, songwriter, composer, and producer. Due to his contributions to the movie and music industry and his literary work, which began with his acting debut in Singapore in 1948 to the height of his career and then later moving to Malaysia in 1964 onward where he moves towards his decline and death, he is regarded as a prominent icon of Malay entertainment; with his famed even reaching as far as Brunei and Sumatra, Indonesia as well as in Hong Kong and Japan.

Early life

P. Ramlee, or Tengku Zakaria was born on 22 March 1929 to Tengku Nyak Puteh Bin Tengku Karim (1902 - 1955) and Che Mah Hussein (1904 - 1967). His father, Tengku Nyak Puteh, travelled from Lhokseumawe in Aceh, Indonesia) to settle in Penang; where his mother is from.
Ramlee received his education from the Sekolah Melayu Kampung Jawa (Kampung Jawa Malay School), Francis Light English School and then to Penang Free School; in all he was registered as “Ramlee” in school. Reportedly a reluctant student, Ramlee was nevertheless talented in music and football. His studies at the Penang Free School was interrupted by the Japanese occupation from 1942 to 1945, during which he enrolled in the Japanese navy school. He also learnt the basics of music and to sing Japanese songs during this period. When the war ended, he took music lessons that enabled him to read musical notations.
 

    Career

    P. Ramlee and Kasma Booty, 1955.
     
    His first screen appearance was in Chinta, a B. S. Rajhans-directed film produced by Malay Film Productions in 1948. Between 1948 and 1955, he has starred in a total of 27 films. He eventually ventured into film directing under the mentoring of Madras-born director L. Krishnan.

    Death

    On 29 May 1973, P. Ramlee died at the age of 44 years old from a heart attack and was buried at Jalan Ampang Muslim Cemetery, in Kuala Lumpur.
    A 90-minute documentary on his life released by History Channel Asia on October 2010 further revealed that his untimely death becoming a shock to the nation and a sense of collective guilt following it began to spread nationwide. This was because, prior to his death, he had been discredited and rejected by the entertainment industry and the public at large who felt that he was a "has-been" and that his songs and films were no longer relevant or marketable. The documentary also revealed that, despite his previous success in the entertainment industry, P. Ramlee had died penniless, having given away the last of his money to a visitor to his house who he felt needed the money more than him.

    Legacy

    Portrait of P. Ramlee.
     
    In 1986, 13 years after his death, in honour of his contributions to the Malaysian entertainment industry, the P. Ramlee Memorial or Pustaka Peringatan P. Ramlee was built in his home in Setapak, Kuala Lumpur. In 1982, the street Jalan Parry, in the center of Kuala Lumpur, was renamed Jalan P. Ramlee in his honour. In 1990, he was posthumously awarded the Malaysian honorific title Tan Sri, and then in 2009, the honorific title of "Datuk Amar" by Sarawak State Government. Then Chief Minister of Sarawak, Abdul Taib Mahmud, an avid fan of P. Ramlee, presented the award to his adopted daughter, Dian P. Ramlee, in a ceremony honouring veteran artists in Kuching.
    The P. Ramlee House is a museum situated along Jalan P. Ramlee (formerly Caunter Hall road) in Penang, Malaysia. The building is a restored wooden house that was originally built in 1926 by his father and uncle. The house had previously undergone multiple repairs before being taken over by the National Archives as an extension of its P. Ramlee Memorial project in Kuala Lumpur. Items on display at the house include personal memorabilia related to his life in Penang and items belonging to his family.

    Awards and honours

  • MY Darjah Yang Mulia Pangkuan Negara (Defender of the Realm) - SMN.svg Darjah Yang Mulia Pangkuan Negara (Ahli Mangku Negara) - Awarded on September 1962.
  • Order of Loyalty to the Crown of Malaysia - PSM.svg Darjah Yang Mulia Setia Mahkota Malaysia (Panglima Setia Mahkota Malaysia) - Awarded posthumously on 6 Jun 1990.
  • MY-SAR Order of the Star of the Hornbill (Bintang Kenyalang) - 2. Knight Commander (DA).svg Darjah Yang Amat Mulia Bintang Kenyalang Sarawak (Datuk Amar Bintang Kenyalang (Posthumous)) - Awarded posthumously on 2009.
  • P. Ramlee was posthumously granted the soubriquet Seniman Agung.

Places named in honour of P. Ramlee

  • Jalan P. Ramlee, Penang (formerly known as Caunter Hall; renamed on 30 August 1983)
  • Jalan P. Ramlee, Kuala Lumpur (formerly known as Jalan Parry; renamed in 1982)
  • Bangunan P. Ramlee and Bilik Mesyuarat Tan Sri P. Ramlee at Sekolah Kebangsaan Hulu Klang, Selangor (used as background in Masam Masam Manis)
  • Jalan P. Ramlee, Kuching, Sarawak (formerly known as Jalan Jawa)
  • Taman P. Ramlee (formerly Taman Furlong) a townships at Setapak, Kuala Lumpur and George Town, Penang
  • Pawagam Mini P. Ramlee at Studio Merdeka, FINAS, Ulu Klang, Selangor
  • Makmal P.Ramlee at Filem Negara Malaysia, Petaling Jaya, Selangor
  • P. Ramlee Auditorium (formerly known as RTM Auditorium), Angkasapuri
  • SK Tan Sri P. Ramlee, Georgetown, Penang (formerly SK Kampung Jawa, his alma mater; renamed on 13 November 2011)
  • Ramlee Mall at Suria KLCC shopping centre, Kuala Lumpur
  • Bukit Nanas Monorail station, Kuala Lumpur, formerly known as P. Ramlee Monorail station

 

Gesang Martohartono - Maestro keroncong tercinta

Gesang Martohartono (1 October 1917 – 20 May 2010) was an Indonesian singer-songwriter from central Java. He is the composer of the "Bengawan Solo," famous song throughout Indonesia, Japan, part of Asia, and some other countries. The song is almost synonymous with the kroncong style of Javanese music. Martohartono was most commonly known simply as Gesang.
Gesang was born in Surakarta (Solo), Indonesia. His father owned a batik-fabric business, which went bankrupt when Gesang was teens, plunging the family into poverty. Gesang, a self-taught musician who was illiterate in musical notation, supported himself and his family by writing songs and singing at local functions such as weddings and other formal occasions.

Career

In 1940, during the Zaman Pendudukan Jepang in World War II, the impoverished 23-year-old musician composed a tune (using a flute) in the popular urban local style known as kroncong, a musical tradition of the region which combined Javanese chord progressions with Westernised vocal stylings, instrumental arrangements, and melodies. The style had its origins in the 17th century Portuguese influence upon the region.
For the lyrics, Gesang turned to Surakarta's river for inspiration. The Bengawan Solo River is Java's longest and most important waterway for trade and agriculture. It seemed to Gesang to symbolise the durability of Javanese culture in those troubled times. Gesang himself would later remark "I had dreamt since my childhood about writing a song of praise for the immortal Solo River."
Gesang added "Bengawan Solo" to his repertoire, and it soon became widely popular among the local Javanese community. The song rose to national prominence when recordings of it were aired on local radio stations. It also found an appreciative audience among the Japanese occupation forces, some of whom took to singing it with lyrics translated into Japanese. It was popular among the non-Javanese prisoners (principally Dutch civilians) of the Japanese internment camps, many of whom spoke Indonesian. The simple, nostalgic lyrics and popular-sounding melody held equal appeal to the long-standing resident and the homesick soldier.
As World War II drew to a close, the returning soldiers of the Japanese Imperial Army brought the song back to Japan. In the dark period immediately after Japan's defeat, "Bengawan Solo" caught the public mood. Its fame soon spread throughout the country after best-selling recordings were released by popular singers, starting with Toshi Matsuda's 1947 rendition. It was periodically re-released by popular artists, and the song soon became almost synonymous in Japan with Indonesian music, with many assuming that it was a centuries-old traditional song.
Versions of "Bengawan Solo" were released in other Asian countries. It has since been reinterpreted many times by musical artists worldwide.
Gesang remained in the city of his birth, continuing to compose and sing, his fame spreading through the decades. He came to be regarded as the leading exponent and senior figurehead of the Solonese kroncong style, which is now regarded as a respectable, even somewhat starchy and dated style, well and truly assimilated from its humble and scandalous prior associations.
In 1991, a group of appreciative Japanese war veterans arranged for a life-size statue of Gesang to be erected in a Surakarta park, to mark their respects for the composer of the tune that had managed to cross the cultural barriers of wartime.

Death

From 12 May 2010 Gesang was hospitalized in a state of ill health. He was reported to be unconscious and was sent to Muhammadiyah Hospital's Intensive Care Unit in his hometown of Solo. He was already reported dead previously on 18 May 2010, but his family denied it. Gesang died 8 days later in the hospital, on 20 May 2010 at the age of 92. He left his entire fortune (of some $20 million) to the charity "Music in Youth".

The 4 Best Upright Basses – Double Bass Reviews 2017


The deep, warm tone of an upright bass is the foundation of an orchestral string section and an integral part of the groove for many jazz ensembles. When you’re shopping for a bass, you want to find something that will give you depth and warmth, especially in the low end, without losing clarity or sounding muddy.
The type and treatment the tonewoods used to construct the instrument’s body have the most influence over its sound, while the construction techniques used will have the biggest impact on the instrument’s durability. A large instrument like a double bass (we use the terms “double bass,” “upright bass,” and “string bass” interchangeably here for they’re the same thing) can be an equally large monetary investment, and finding a model that will last you for many years to come will save you lots of expense and heartache down the line.
The four basses on this list both sound great and are very durable and playable—and though no upright bass comes cheap, they’re some of the top-valued instruments on the market. Below are, in our humble opinion, among the best upright basses on the market.


Cremona SB-4

Modeled after their previous SB-3 line, the SB-4 keeps the best aspects of the previous model but also upgrades some of the materials and construction. The end result is a professional-level bass  that sells for half the price of comparable models. It uses flamed maple on the back and sides and the construction is impeccable, with double body kerfing and an arched back.
The solid spruce top is hand-carved; the bridge is made of seasoned northern maple, while the fingerboard is ebony, meaning it’s built of quality tonewoods from top to bottom that will make your tone sing and give you an incredible response. The contoured neck profile also means it’s more comfortable to play, letting you play longer—and sound amazing while you’re doing it


Becker 5000E

Becker uses well-seasoned tonewoods in the construction of all their basses, aging it over time to give their instruments a richer, sweeter, more complex sound. They’ve also chosen tonewoods that will enhance this complexity. The top of this model is made of laminated spruce, with maple for the back and sides, a classic combination that gives you a good balance of tone and power.
As far as the hardware goes, it uses ebony for the nut, tailpiece, and fingerboard and features a fully-fitted maple bridge and German machine heads. The bow that comes included is a Glasser model that uses a German grip for volume and power, complementing the rich tone of the instrument. This should be on anyone’s list of the best upright basses.
 
 Merano MB400

Merano is known for their colorful instruments, but there’s more to their line of basses than just the eye appeal. The MB400 uses similar tonewoods to other models on the market, with spruce on the top and maple on the back and sides. It also comes with a genuine horsehair French grip bow, which only makes it more of a value at $800.
This instrument is designed with a classical orchestra in mind but could also serve well in a jazz setting. The alloy tailpiece and ebonized fingerboard are extremely durable, and the high-quality arched back construction makes it perfect to gig with—one of the best string basses around.


Rata Beginner Upright Bass

Like it says in the name, this is an excellent choice for the bass student who’s ready to own his or her own instrument, but isn’t ready or able to spend thousands of dollars. The construction of the body is similar to the models above, with a laminated spruce top and maple on the back and sides.
The best thing about this bass for a student is its durability. It can take quite a bit of abuse without taking damage, excellent for a beginner who’s still learning how to play and handle it. This dependability also makes it an excellent back-up bass for a more experienced player, since you can use it at outdoor gigs and in other environments you’d be wary of using a more expensive instrument.
  

Seasoned Tonewoods
You’ll probably notice reading through the descriptions that the materials all sound very similar. Many of the best upright basses use spruce for the top and maple for the back and sides. This combination gives them the resonance and rich low-end you want in a bass while still allow for crisp attacks and articulations. The difference between models tends to come from which variety of wood is used, where it was grown, and how it was cut and treated.
You’ll often hear the term “seasoned wood” used when talking about orchestral string instruments. Seasoning is a process by which the wood is dried and aged before being used to build the bass. Seasoning the wood makes the tone sweeter, darker, and more complex. The seasoning process doesn’t stop after construction, either; this is the main reason vintage violins and cellos are so sought after. Because it has to be stored somewhere while it’s aging and takes more effort to produce, it’s generally true that instruments made from seasoned wood are more expensive than those that aren’t, though for many players the improvement to the sound is well worth the extra investment.

Sizes of the Best Double Basses
Upright basses come in four sizes (1/4, 2/4, 3/4, and 4/4) which describe the scale length and height of the instrument. A 4/4, also called a full-sized bass, has a height of 74.8 inches and a scale length of 43.3 inches. A 3/4 bass, meanwhile, has a height of 71.6 and a scale length of 41.3 inches; 2/4 and 1/4 instruments are proportionally shorter. While those numbers above probably look pretty precise, there is some variation between individual manufacturers, as well, in terms of the exact scale length and instrument height, largely because so many professional upright basses are still made by hand.
There is no inherent quality difference between the different sizes of bass. It is more a matter of player comfort than it is one of sound quality. The 3/4 bass is by far the most popular size among students and professionals alike. Though 4/4 basses have been gaining popularity in recent years, unless you are exceptionally tall or have very large hands, there is no need to specifically seek out a full-sized bass. Even tall players may still find a ¾ size gives you a more comfortable playing experience.
As with most things concerning musician instruments, the best way to find out which size is best for you is to visit a musical instrument shop and try holding and playing various instruments in various sizes (then buy it there or online if it’s cheaper). Even if you don’t plan on buying the exact model they have at the store, you can get a sense of the overall feel of each distinct size, letting you figure out which one is right for you. And if you keep these ideas in mind, you’re sure to find the best upright bass for your needs. Good luck!
 

Gibson Firebird Guitar

Gibson Firebird I ( 1963 - 1969 )

The Gibson firebird electric guitar is a combination between fender style guitars and the gibson explorers . In early 60s gibson firebirds were built to compete with fender electric guitars which at that time were main stream guitars .

In 1963 gibson introduced the gibson firebird I , It had a reverse body shape , one humbucking pick up , no vibrato ,dot inlaid unbound fingerboard and a bar bridge-tailpiece , the firebird I at that time was the least expensive and was considered the economy model .

In mid 1965 gibson redesigned the gibson firebird I electric guitar with a non reversed body shape ( see pic) , 2/ p90 pickups and were discontinued in 1969 .





Vintage Price Value For 2017 :
1963 - 1965 > $6500 to $7500 ( reverse body )
1965 - 1969 > $2500 To $4500 ( non reverse body )

Note : Prices can vary depending on guitar finishes (color). Custom colors can be sold for double the value .


Hyperduty Season VI

SMA Negeri 5 Depok Proudly Presents HYPERDUTY SEASON 6 Date: Sunday, August 6th 2017 Guest Stars: Sheila on 7 JKT 48...