Jumat, 04 Agustus 2017

Hyperduty Season VI


SMA Negeri 5 Depok
Proudly Presents
HYPERDUTY SEASON 6
Date:
Sunday, August 6th 2017
Guest Stars:
Sheila on 7
JKT 48
Special Performance:
 Sore Afternoon
Famous 
S.O.S
Classy
Flashfive
5 Chord
Music of Six 
Master of Ceremony:
Akbarry 
Venue:
SMA Negeri 5 Depok
Ticket:
On The Spot: IDR 50K
More Info:
Instagram: @Hyperduty2017
Line: @YVN9875Q
Twitter: @Hyperduty

Nirvana

Nirvana was an American rock band formed by singer and guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington, in 1987. Nirvana went through a succession of drummers, the longest-lasting being Dave Grohl, who joined in 1990. Despite releasing only three full-length studio albums in their seven-year career, Nirvana has come to be regarded as one of the most influential and important alternative bands in history. Though the band dissolved in 1994 after the death of Cobain, their music maintains a popular following and continues to influence modern rock and roll culture.
In the late 1980s, Nirvana established itself as part of the Seattle grunge scene, releasing its first album, Bleach, for the independent record label Sub Pop in 1989. They developed a sound that relied on dynamic contrasts, often between quiet verses and loud, heavy choruses. After signing to major label DGC Records, Nirvana found unexpected success with "Smells Like Teen Spirit", the first single from the band's second album Nevermind (1991). Nirvana's sudden success widely popularized alternative rock, and Cobain found himself referred to in the media as the "spokesman of a generation", with Nirvana considered the "flagship band" of Generation X. Nirvana's third studio album, In Utero (1993), released to critical acclaim, featured an abrasive, less mainstream sound and challenged the group's audience.
Nirvana's active career ended following the death of Cobain in 1994, but various posthumous releases have been issued since, overseen by Novoselic, Grohl, and Cobain's widow Courtney Love. Since its debut, the band has sold over 25 million records in the United States alone, and over 75 million records worldwide, making them one of the best-selling bands of all time. Nirvana was inducted into the Rock and Roll Hall of Fame in 2014, in its first year of eligibility.

Formation and early years (1987–1988)

Cobain and Novoselic met while attending Aberdeen High, although they never connected, according to Cobain.[4] The pair eventually became friends while frequenting the practice space of the Melvins.[5] Cobain wanted to form a band with Novoselic, but Novoselic did not respond for a long period of time. In persuading Novoselic to form a band, Cobain gave him a demo tape of his project Fecal Matter. Three years after the two first met, Novoselic notified Cobain that he had finally listened to the Fecal Matter demo and suggested they start a group. The pair recruited Bob McFadden on drums, but after a month the project fell apart.[6] In early 1987, Cobain and Novoselic recruited drummer Aaron Burckhard.[7] The three practiced material from Cobain's Fecal Matter tape but started writing new material soon after forming.[8]
Nirvana wordmark logo
During its initial months, the band went through a series of names, starting with Skid Row and including Fecal Matter and Ted Ed Fred. The group finally settled on Nirvana, which Cobain said was chosen because "I wanted a name that was kind of beautiful or nice and pretty instead of a mean, raunchy punk name like the Angry Samoans".[9] With Novoselic and Cobain having moved to Tacoma and Olympia, Washington, respectively, the two temporarily lost contact with Burckhard. The pair instead practiced with Dale Crover of the Melvins, and Nirvana recorded its first demos in January 1988.[10] In early 1988, Crover moved to San Francisco but recommended Dave Foster to the band as his replacement on drums.[11] Foster's tenure with Nirvana lasted only a few months; during a stint in jail, he was replaced by a returning Burckhard, who himself didn't stay with the band after telling Cobain he was too hungover to practice one day.[12] Cobain and Novoselic put an ad in Seattle music publication The Rocket seeking a replacement drummer, which only yielded unsatisfactory responses. Meanwhile, a mutual friend introduced them to Chad Channing, and the three musicians agreed to jam together. Channing continued to jam with Cobain and Novoselic, although the drummer noted, "They never actually said 'okay, you're in,'" and Channing played his first show with the group that May.[13]

Early releases (1988–1990)

Nirvana released its first single, a cover of Shocking Blue's "Love Buzz", in November 1988 on the Seattle independent record label Sub Pop.[14] They did their first ever interview with John Robb in Sounds who also made the release single of the week. The following month, the band began recording its debut album, Bleach, with local producer Jack Endino.[15] Bleach was highly influenced by the heavy dirge-rock of the Melvins and Mudhoney, 1980s punk rock, and the 1970s heavy metal of Black Sabbath. Novoselic said in a 2001 interview with Rolling Stone that the band had played a tape in their van while on tour that had an album by The Smithereens on one side and an album by the extreme metal band Celtic Frost on the other, and noted that the combination probably played an influence as well.[16] The money for the recording sessions for Bleach, listed as $606.17 on the album sleeve, was supplied by Jason Everman, who was subsequently brought into the band as the second guitarist. Though Everman did not actually play on the album, he received a credit on Bleach because, according to Novoselic, they "wanted to make him feel more at home in the band".[17] Just prior to the album's release, Nirvana insisted on signing an extended contract with Sub Pop, making the band the first to do so with the label.[18]
Following the release of Bleach in June 1989, Nirvana embarked on its first national tour,[19] and the album became a favorite of college radio stations.[20] Due to increasing differences between Everman and the rest of the band over the course of the tour, Nirvana canceled the last few dates and drove back to Washington. No one told Everman he was fired at the time, while Everman later said that he actually quit the group.[21] Although Sub Pop did not promote Bleach as much as other releases, it was a steady seller,[22] and had initial sales of 40,000 copies.[23] However, Cobain was upset by the label's lack of promotion and distribution for the album.[22] In late 1989, the band recorded the Blew EP with producer Steve Fisk.[24]
In a late 1989 interview with John Robb in Sounds, Cobain noted that the band's music was changing. He said, "The early songs were really angry... But as time goes on the songs are getting poppier and poppier as I get happier and happier. The songs are now about conflicts in relationships, emotional things with other human beings".[25] In April 1990, the band began working with producer Butch Vig at Smart Studios in Madison, Wisconsin on recordings for the follow-up to Bleach.[26] During the sessions, Cobain and Novoselic became disenchanted with Channing's drumming, and Channing expressed frustration at not being actively involved in songwriting. As bootlegs of Nirvana's demos with Vig began to circulate in the music industry and draw attention from major labels, Channing left the band.[27] That July, the band recorded the single "Sliver" with Mudhoney drummer Dan Peters.[28] Nirvana asked Dale Crover to fill in on drums for a seven-date American West Coast tour with Sonic Youth that August.[29]
Dave Grohl performing in 1991
In September 1990, Buzz Osborne of the Melvins introduced the band to Dave Grohl, who was looking for a new band following the sudden break-up of Washington, D.C., hardcore punks Scream.[30] A few days after arriving in Seattle, Novoselic and Cobain auditioned Grohl, with Novoselic later stating, "We knew in two minutes that he was the right drummer".[31] Grohl later told Q "I remember being in the same room with them and thinking, 'What? That's Nirvana? Are you kidding?'" and "Because on their record cover they looked like psycho lumberjacks... I was like, 'What, that little dude and that big motherfucker? You're kidding me'. I laughed. I was like, 'No way'".[32]

Mainstream success (1991–1994)

Nevermind and Incesticide (1991–1992)

Disenchanted with Sub Pop and with the Smart Studios sessions generating interest, Nirvana decided to look for a deal with a major record label since no indie label could buy the group out of its contract.[33] Following repeated recommendations by Sonic Youth's Kim Gordon, Nirvana signed to DGC Records in 1990.[34] The band subsequently began recording its first major label album, Nevermind. The group was offered a number of producers to choose from, but ultimately held out for Butch Vig.[35] Rather than recording at Vig's Madison studio as they had in 1990, production shifted to Sound City Studios in Van Nuys, Los Angeles, California. For two months, the band worked through a variety of songs in its catalog. Some of the songs, such as "In Bloom" and "Breed", had been in Nirvana's repertoire for years, while others, including "On a Plain" and "Stay Away", lacked finished lyrics until midway through the recording process.[36] After the recording sessions were completed, Vig and the band set out to mix the album. However, the recording sessions had run behind schedule and the resulting mixes were deemed unsatisfactory. Slayer mixer Andy Wallace was brought in to create the final mix. After the album's release, members of Nirvana expressed dissatisfaction with the polished sound the mixer had given Nevermind.[37] In January 1992 the band played two songs from Nevermind on Saturday Night Live, "Smells Like Teen Spirit" and "Territorial Pissings".
Announcement from the band encouraging people to participate in the making of the music video for "Smells Like Teen Spirit"
Initially, DGC Records was hoping to sell 250,000 copies of Nevermind, which was the same level they had achieved with Sonic Youth's Goo.[38] However, the album's first single "Smells Like Teen Spirit" quickly gained momentum, thanks in part to significant airplay of the song's music video on MTV. As it toured Europe during late 1991, the band found that its shows were dangerously oversold, that television crews were becoming a constant presence onstage, and that "Smells Like Teen Spirit" was almost omnipresent on radio and music television.[39] By Christmas 1991, Nevermind was selling 400,000 copies a week in the US.[40] In January 1992, the album displaced Michael Jackson's Dangerous at number one on the Billboard album charts, and also topped the charts in numerous other countries.[41] The month Nevermind reached number one, Billboard proclaimed, "Nirvana is that rare band that has everything: critical acclaim, industry respect, pop radio appeal, and a rock-solid college/alternative base".[42] The album would eventually sell over seven million copies in the United States,[43] and over 30 million worldwide.[44]
Krist Novoselic performing in 2011
Citing exhaustion, Nirvana decided not to undertake another American tour in support of Nevermind, instead opting to make only a handful of performances later that year.[45] In March 1992, Cobain sought to reorganize the group's songwriting royalties (which to this point had been split equally) so that they were more representative of the fact that he wrote the majority of the music. Grohl and Novoselic did not object to Cobain's request, but when the frontman asked for the agreement to be retroactive to the release of Nevermind, the disagreements between the two sides came close to breaking up the band. After a week of tension, Cobain ended up receiving a retroactive share of 75 percent of the royalties, and bad feelings about the situation remained within the group afterward.[46] Amid rumors that the band was disbanding due to Cobain's health, Nirvana headlined the closing night of England's 1992 Reading Festival, where Cobain personally programmed the performance lineup.[47] Nirvana's performance at Reading is often regarded by the press as one of the most memorable of the group's career.[48][49] A few days later, Nirvana performed at the MTV Video Music Awards where, despite the network's refusal to let the band play the new song "Rape Me" during the broadcast, Cobain strummed and sang the first few bars of the song before breaking into "Lithium". At the ceremony, the band received awards for the Best Alternative Video and Best New Artist categories.[50]
DGC had hoped to have a new Nirvana album by the band ready for a late 1992 holiday season release; since work on it proceeded slowly, the label released the compilation album Incesticide in December 1992.[51] A joint venture between DGC and Sub Pop, Incesticide collected various rare Nirvana recordings and was intended to provide the material for a better price and at better quality than was available via bootleg copies.[52] As Nevermind had been out for 15 months and had yielded a fourth single in "In Bloom" by that point, Geffen/DGC opted not to heavily promote Incesticide, which was certified gold by the Recording Industry Association of America the following February.[53]

In Utero, final months, and Cobain's death (1993–1994)

Cobain's house in Seattle where he died in April 1994
In February 1993, Nirvana released "Puss"/"Oh, the Guilt", a split single with The Jesus Lizard, on the independent label Touch & Go.[51] Meanwhile, the group chose Steve Albini, who had a reputation as a principled and opinionated individual in the American indie music scene, to record its third album. While there was speculation that the band chose Albini to record the album due to his underground credentials,[54] Cobain insisted that Albini's sound was simply the one he had always wanted Nirvana to have: a "natural" recording without layers of studio trickery.[55] Nirvana traveled to Pachyderm Studio in Cannon Falls, Minnesota, in that February to record the album.[56] The sessions with Albini were productive and notably quick, and the album was recorded and mixed in two weeks for a cost of $25,000.[57]
Several weeks after the completion of the recording sessions, stories ran in the Chicago Tribune and Newsweek that quoted sources claiming DGC considered the album "unreleasable".[58] As a result, fans began to believe that the band's creative vision might be compromised by their label.[59] While the stories about DGC shelving the album were untrue, the band actually was unhappy with certain aspects of Albini's mixes. Specifically, they thought the bass levels were too low,[60] and Cobain felt that "Heart-Shaped Box" and "All Apologies" did not sound "perfect".[61] Longtime R.E.M. producer Scott Litt was called in to help remix those two songs, with Cobain adding additional instrumentation and backing vocals.[62]
In Utero debuted at number one on the Billboard 200 album chart in September 1993.[63] Time's Christopher John Farley wrote in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana".[64] In Utero went on to sell over 3.5 million copies in the United States.[43] That October, Nirvana embarked on its first tour of the United States in two years with support from Half Japanese and The Breeders.[65] For the tour, the band added Pat Smear of the punk rock band Germs as a second guitarist.[66] In November 1993, Nirvana recorded a performance for the television program MTV Unplugged. Augmented by Smear and cellist Lori Goldston, the band sought to veer from the typical approach to the show, opting to stay away from playing its most recognizable songs. Instead, Nirvana performed several covers, and invited Cris and Curt Kirkwood of the Meat Puppets to join the group for renditions of three of their songs.[67] Also in November 1993, the band made its second appearance on Saturday Night Live, where they played "Heart-Shaped Box" and "Rape Me".
In early 1994, the band embarked on a European tour. Nirvana's final concert took place in Munich, Germany, on March 1. In Rome, on the morning of March 4, Cobain's wife, Courtney Love, found Cobain unconscious in their hotel room and he was rushed to the hospital. A doctor from the hospital told in a press conference that Cobain had reacted to a combination of prescribed Rohypnol and of alcohol. The rest of the tour was cancelled.[68] In the ensuing weeks, Cobain's heroin addiction resurfaced. An intervention was organized, and Cobain was convinced to admit himself into drug rehabilitation. After less than a week in rehabilitation, Cobain climbed over the wall of the facility and took a plane back to Seattle. A week later, on Friday, April 8, 1994, Cobain was found dead of a self-inflicted shotgun wound to the head at his home in Seattle.[69]

Aftermath and posthumous releases (1994–present)

Touring guitarist, former Germs member, and Foo Fighters member Pat Smear has performed with the surviving members of Nirvana several times in the 2010s.
In August 1994, DGC announced that a double album titled Verse Chorus Verse featuring live material from throughout the group's career on one CD and its MTV Unplugged performance on another was due for release that November.[51] However, Novoselic and Grohl found assembling the live material so soon after Cobain's death to be too emotionally overwhelming.[70] Grohl founded the Foo Fighters, and Novoselic turned his attention to political activism. With the career-spanning live portion postponed, MTV Unplugged in New York debuted at number one on the Billboard charts upon release in November 1994. A few weeks later the group's first full-length video, Live! Tonight! Sold Out!!, was released.[51] The following year, MTV Unplugged in New York earned Nirvana a Grammy Award for Best Alternative Music Album.[71] In 1996, DGC finally issued a Nirvana live album, From the Muddy Banks of the Wishkah, which became the third Nirvana release in a row to debut at the top of the Billboard album chart.[51]
In 1997, Novoselic, Grohl, and Courtney Love formed the limited liability company Nirvana LLC to oversee all Nirvana-related projects.[72] A 45-track box set of Nirvana rarities was scheduled for release in October 2001.[73] However, shortly before the release date, Love filed a suit to dissolve Nirvana LLC, and an injunction was issued preventing the release of any new Nirvana material until the case was resolved.[74] Love contended that Cobain was the band, that Grohl and Novoselic were sidemen, and that she signed the partnership agreement originally under bad advice. Grohl and Novoselic countersued, asking the court to remove Love from the partnership and to replace her with another representative of Cobain's estate.[73]
The day before the case was set to go to trial in October 2002, Love, Novoselic, and Grohl announced that they had reached a settlement. The settlement paved the way for the release of the compilation album Nirvana, which featured the previously unreleased track "You Know You're Right", the last song Nirvana recorded before Cobain's death.[75] Nirvana was released later that month, debuting at number three on the Billboard album chart.[76] The box set, With the Lights Out, was finally released in November 2004. The release contained a vast array of early Cobain demos, rough rehearsal recordings, and live tracks recorded throughout the band's history. Sliver: The Best of the Box, which culled 19 tracks from the box set in addition to featuring three previously unreleased tracks, was released in late 2005.[77]
In April 2006, Love announced that she had arranged to sell 25 percent of her stake in the Nirvana song catalog in a deal estimated at $50 million. The share of Nirvana's publishing was purchased by Primary Wave Music, which was founded by Larry Mestel, a former CEO of Virgin Records. In an accompanying statement, Love sought to assure Nirvana's fanbase that the music would not simply be licensed to the highest bidder, noting, "We are going to remain very tasteful and true to the spirit of Nirvana while taking the music to places it has never been before".[78] Further releases have since been made. This includes the DVD releases of Live! Tonight! Sold Out!! in 2006,[79] and the full, uncut version of MTV Unplugged in New York in 2007.[80] The band's performance at the 1992 Reading Festival was released on both CD and DVD as Live at Reading in November 2009. That month, Sub Pop released a 20th anniversary deluxe edition of Bleach, and DGC released a number of 20th anniversary deluxe-edition packages of both Nevermind in September 2011, and In Utero in September 2013.
In 2012, Grohl, Novoselic, and Smear joined Paul McCartney at 12-12-12: The Concert for Sandy Relief.The performance featured the premiere of a new song written by the four musicians entitled "Cut Me Some Slack". A studio recording was released on the soundtrack to Sound City, a film by Grohl. On July 19, 2013, they would once again play with McCartney during the encore of his Safeco Field "Out There" concert in Seattle, the first time Nirvana members played together in their hometown in over 15 years.
In 2014, Nirvana was inducted into the Rock and Roll Hall of Fame; the members inducted were Cobain, Novoselic, and Grohl. At the induction ceremony, Novoselic, Grohl and Smear performed a four-song set with guest vocalists Joan Jett, Kim Gordon, St. Vincent, and Lorde.[90][91] Novoselic, Grohl, and Smear then performed a full show at Brooklyn's St. Vitus Bar with Jett, Gordon, St. Vincent, J Mascis, and John McCauley as guest vocalists.[92] At the ceremony, Grohl thanked Burckhard, Crover, Peters and Channing for their time in Nirvana. Everman was also invited and attended the ceremony.[93]
At Clive Davis' annual pre-Grammy party in 2016, the surviving members of Nirvana once again reunited to perform the David Bowie song "The Man Who Sold the World" that they'd covered on their Unplugged album. Beck joined the band to play acoustic guitar and handle lead vocals.[94]

Musical style

Cobain described the sound of Nirvana when it first started as "a Gang of Four and Scratch Acid ripoff".[52] Later when Nirvana recorded Bleach, Cobain felt he had to fit the expectations of the Sub Pop grunge sound to build a fanbase, and hence suppressed his arty and pop songwriting traits while crafting the record in favor of a more rocking sound.[96] Nirvana biographer Michael Azerrad argued, "Ironically, it was the restrictions of the Sub Pop sound that helped the band find its musical identity". Azerrad stated that by acknowledging that its members had grown up listening to Black Sabbath and Aerosmith, the band was able to move on from its derivative early sound.[97]
Nirvana used dynamic shifts that went from quiet to loud.[60] Cobain had sought to mix heavy and pop musical sounds; he commented, "I wanted to be totally Led Zeppelin in a way and then be totally extreme punk rock and then do real wimpy pop songs". When Cobain heard the Pixies' 1988 album Surfer Rosa after recording Bleach, he felt it had the sound he wanted to achieve but until then was too intimidated to try. The Pixies' subsequent popularity encouraged Cobain to follow his instincts as a songwriter.[98] Like the Pixies, Nirvana moved between "spare bass-and-drum grooves and shrill bursts of screaming guitar and vocals".[99] Near the end of his life, Cobain noted the band had become bored by the formula, finding it limited, but he expressed doubts that the band was skilled enough to try other dynamics.[60]
Cobain's rhythm guitar style, which relied on power chords, low-note riffs, and a loose left-handed technique, featured the key components to the band’s songs. Cobain would often initially play a song's verse riff in a clean tone, then double it with distorted guitars when he repeated the part. In some songs the guitar would be absent from the verses entirely to allow the drums and bass guitar to support the vocals, or it would only play sparse melodies like the two-note pattern used in "Smells Like Teen Spirit". Cobain rarely played standard guitar solos, opting to play slight variations of the song's melody as single note lines. Cobain's solos were mostly blues-based and discordant, which music writer Jon Chappell described as "almost an iconoclastic parody of the traditional instrumental break", a quality typified by the note-for-note replication of the lead melody in "Smells Like Teen Spirit" and the atonal solo for "Breed".[95] When asked about their musical education, the band states that they had no formal musical training. In fact, Cobain says: "I have no concept of knowing how to be a musician at all what-so-ever... I couldn't even pass Guitar 101".[100]
Grohl's drumming "took Nirvana's sound to a new level of intensity".[101] Azerrad stated that Grohl's "powerful drumming propelled the band to a whole new plane, visually as well as musically", noting, "Although Dave is a merciless basher, his parts are also distinctly musical—it wouldn't be difficult to figure out what song he was playing even without the rest of the music".[102]
From 1992, Cobain and Novoselic would tune their guitars to E flat for studio and live performances (up until then, their live tunings were to concert pitch).[103] Cobain noted, "We play so hard we can't tune our guitars fast enough".[104] The band made a habit of destroying its equipment after shows. Novoselic said he and Cobain created the "shtick" in order to get off of the stage sooner.[105] Cobain stated it began as an expression of his frustration with Chad Channing making mistakes and dropping out entirely during performances.[106]

Songwriting and lyrics

Everett True said in 1989, "Nirvana songs treat the banal and pedestrian with a unique slant".[107] Cobain came up with the basic components of each song (usually writing them on an acoustic guitar), as well as the singing style and the lyrics. He emphasized that Novoselic and Grohl "have a big part in deciding on how long a song should be and how many parts it should have. So I don't like to be considered the sole songwriter".[108] When asked which part of the songs he would write first, Cobain responded, "I don’t know. I really don't know. I guess I start with the verse and then go into the chorus".[60]
Cobain usually wrote lyrics for songs minutes before recording them.[108] Cobain said, "When I write a song the lyrics are the least important subject. I can go through two or three different subjects in a song and the title can mean absolutely nothing at all".[109] Cobain told Spin in 1993 that he "didn't give a flying fuck" what the lyrics on Bleach were about, figuring "Let's just scream some negative lyrics and as long as they're not sexist and don't get too embarrassing it'll be okay", while the lyrics to Nevermind were taken from two years of poetry he had accumulated, which he cut up and chose lines he preferred from. In comparison, Cobain stated that the lyrics to In Utero were "more focused, they're almost built on themes".[110] Cobain didn't write necessarily in a linear fashion, instead relying on juxtapositions of contradictory images to convey emotions and ideas. Often in his lyrics, Cobain would present an idea then reject it; the songwriter explained, "I'm such a nihilistic jerk half the time and other times I'm so vulnerable and sincere [.. The songs are] like a mixture of both of them. That's how most people my age are".[111]

Legacy

Sign erected in 2005 in Cobain's hometown of Aberdeen, Washington in tribute to him. It was paid for by the Kurt Cobain Memorial Committee and is a reference to the Nirvana song "Come as You Are".
Stephen Thomas Erlewine wrote that prior to Nirvana, "alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off". Following the release of Nevermind, "nothing was ever quite the same, for better and for worse".[112] The success of Nevermind not only popularized grunge, but also established "the cultural and commercial viability of alternative rock in general".[113] While other alternative bands had hits before, Nirvana "broke down the doors forever", according to Erlewine. Erlewine further stated that Nirvana's breakthrough "didn't eliminate the underground", but rather "just gave it more exposure".[114] In 1992, Jon Pareles of The New York Times reported that Nirvana's breakthrough had made others in the alternative scene impatient for achieving similar success, noting, "Suddenly, all bets are off. No one has the inside track on which of dozens, perhaps hundreds, of ornery, obstreperous, unkempt bands might next appeal to the mall-walking millions". Record company executives offered large advances and record deals to bands, and previous strategies of building audiences for alternative rock groups had been replaced by the opportunity to achieve mainstream popularity quickly.[115]
Erlewine stated that Nirvana's breakthrough "popularized so-called 'Generation X' and 'slacker' culture".[114] Immediately following Cobain's death, numerous headlines referred to Nirvana's frontman as "the voice of a generation", although he had rejected such labeling during his lifetime.[116] Reflecting on Cobain's death over ten years later, MSNBC's Eric Olsen wrote, "In the intervening decade, Cobain, a small, frail but handsome man in life, has become an abstract Generation X icon, viewed by many as the 'last real rock star' [...] a messiah and martyr whose every utterance has been plundered and parsed".[113]

Awards and accolades

Since its breakup, Nirvana has continued to receive acclaim, and is regularly considered one of the greatest music artists of all time. In 2003, Nirvana was selected as one of the inductees of the Mojo Hall of Fame 100.[117] The band also received a nomination for induction in the UK Music Hall of Fame in 2004 as the "Greatest Artist of the 1990s".[118] Rolling Stone placed Nirvana at number 27 on their list of the "100 Greatest Artists of All Time" in 2004,[119] and at number 30 on their updated list in 2011.[120] In 2003, the magazine's senior editor David Fricke picked Kurt Cobain as the 12th best guitarist of all time.[121] Rolling Stone later ranked Cobain as the 45th greatest singer in 2008[122] and 73rd greatest guitarist of all time in 2011.[123] VH1 ranked Nirvana as the 42nd greatest artists of rock and roll in 1998,[124] the 7th greatest hard rock artists in 2000,[125] and the 14th greatest artists of all time in 2010.[126]
Nirvana's contributions to music have also received recognition, with Nevermind and "Smells Like Teen Spirit" consistently being ranked as one of the greatest albums and songs of all time, respectively. The Rock and Roll Hall of Fame has inducted two of Nirvana's recordings, "Smells Like Teen Spirit" and "All Apologies", into its list of "The Songs That Shaped Rock and Roll".[127] The museum also ranked Nevermind number 10 on its "The Definitive 200 Albums of All Time" list in 2007.[128] In 2005, the Library of Congress added Nevermind to the National Recording Registry, which collects "culturally, historically or aesthetically important" sound recordings from the 20th century.[129] In 2011, four of Nirvana's songs appeared on Rolling Stone's updated list of "The 500 Greatest Songs of All Time", with "Smells Like Teen Spirit" ranking the highest at number 9.[130] Three of the band's albums were ranked on the magazine's 2012 list of "The 500 Greatest Albums of All Time", with Nevermind placing the highest at number 17.[131] The same three Nirvana albums were also placed on Rolling Stone's 2011 list of "The 100 Best Albums of the Nineties", with Nevermind ranking the highest at number 1, making it the greatest album of the decade.[132] Time included Nevermind on its list of "The All-TIME 100 Albums" in 2006, labeling it "the finest album of the 90s".[133] In 2011, the magazine also added "Smells Like Teen Spirit" on its list of "The All-TIME 100 Songs",[134] and "Heart-Shaped Box" on its list of "The 30 All-TIME Best Music Videos".[135]
Nirvana is one of the best-selling bands of all time, having sold over 75 million records worldwide.[136] With over 25 million RIAA-certified units, the band is also the 80th best-selling music artist in the United States.[3] Two of the band's studio albums and two of their live albums have reached the top spot on the Billboard 200.[137] Nirvana has been awarded one Diamond, three Multi-Platinum, seven Platinum and two Gold certified albums in the United States by the RIAA,[138] and four Multi-Platinum, four Platinum, two Gold and one Silver certified albums in the UK by the BPI.[139] Nevermind, the band's most successful album, has sold over 30 million copies worldwide, making it one of the best-selling albums ever.[140] Their most successful song, "Smells Like Teen Spirit", is among the best-selling singles of all time, having sold 8 million copies.[141]
Nirvana were announced in their first year of eligibility as being part of the 2014 class of inductees into the Rock and Roll Hall of Fame on December 17, 2013. The induction ceremony was held April 10, 2014, in Brooklyn, New York, at the Barclays Center.[142] However, Channing, who was informed of his omission by SMS, was not included in the induction, as the accolade was only applied to Cobain, Novoselic and Grohl


Selasa, 18 Juli 2017

How to Read Sheet Music: Channel Your Inner Musician with These Simple Steps!

Have you ever heard a song on the radio and thought, “Hey, it’d be really cool to know how to play that.”? Do you have friends who play musical instruments, and you want to get in on the fun? Do you just want to expand your general artistic knowledge? Well, learning the basics of how to read sheet music can help you achieve all of these, and in a shorter amount of time than you might have thought!
At its very simplest, music is a language just like you’d read aloud from a book. The symbols you’ll see on pages of sheet music have been used for hundreds of years. And they represent the pitch, speed and rhythm of the song they convey, as well as expression and techniques used by a musician to play the piece. Think of the notes as the letters, the measures as the words, the phrases as the sentences and so forth. Learning to read music really does open up a whole new world to explore!
Follow our step-by-step introduction to the language of music below, download your FREE tools at the end of this article, and you’ll be playing along in no time at all.

Step 1: Learn the Basic Symbols of Notation

Music is made up of a variety of symbols, the most basic of which are the staff, the clefs and the notes. All music contains these fundamental components, and in order to learn how to read music, you must first familiarize yourself with these basics.

The Staff

The staff consists of five lines and four spaces. Each of those lines and each of those spaces represents a different letter, which in turn represents a note. Those lines and spaces represent notes named A-G, and the note sequence moves alphabetically up the staff.


Treble Clef

There are two main clefs with which to familiarize yourself; the first is a treble clef. The treble clef has the ornamental letter G on the far left side. The G’s inner swoop encircles the “G” line on the staff. The treble clef notates the higher registers of music, so if your instrument has a higher pitch, such as a flute, violin or saxophone, your sheet music is written in the treble clef.  Higher notes on a keyboard also are notated on the treble clef.

We use common mnemonics to remember the note names for the lines and spaces of the treble clef. For lines, we remember EGBDF by the word cue “Every Good Boy Does Fine.” Similarly for the spaces, FACE is just like the word “face.”

Bass Clef

The line between the two bass clef dots is the “F” line on the bass clef staff, and it’s also referred to as the F clef. The bass clef notates the lower registers of music, so if your instrument has a lower pitch, such as a bassoon, tuba or cello, your sheet music is written in the bass clef. Lower notes on your keyboard also are notated in the bass clef.

A common mnemonic to remember note names for the lines of the bass clef is: GBDFA “Good Boys Do Fine Always.” And for the spaces: ACEG, “All Cows Eat Grass.”

Notes

Notes placed on the staff tell us which note letter to play on our instrument and how long to play it. There are three parts of each note, the note head, the stem and the flag.

Every note has a note head, either filled (black) or open (white). Where the note head sits on the staff (either on a line or a space) determines which note you will play. Sometimes, note heads will sit above or below the five lines and four spaces of a staff. In that case, a line is drawn through the note, above the note or below the note head, to indicate the note letter to play, as in the B and C notes above.
The note stem is a thin line that extends either up or down from the note head. The line extends from the right if pointing upward or from the left if pointing downward. The direction of the line doesn’t affect how you play the note, but serves as a way to make the notes easier to read while allowing them to fit neatly on the staff. As a rule, any notes at or above the B line on the staff have downward pointing stems, those notes below the B line have upward pointing stems.
The note flag is a curvy mark to the right of the note stem. Its purpose is to tell you how long to hold a note. We’ll see below how a single flag shortens the note’s duration, while multiple flags can make it shorter still.
 Now that you know the parts to each note, we’ll take a closer look at those filled and open note heads discussed above. Whether a note head is filled or open shows us the note’s value, or how long that note should be held. Start with a closed note head with a stem. That’s our quarter note, and it gets one beat. An open note head with a stem is a half note, and it gets two beats. An open note that looks like an “o” without a stem is a whole note, and it gets held for four beats.

There are other ways to extend the length of a note. A dot after the note head, for example, adds another half of that note’s duration to it. So, a half note with a dot would equal a half note and a quarter note; a quarter note with a dot equals a quarter plus an eighth note. A tie may also be used to extend a note. Two notes tied together should be held as long as the value of both of those notes together, and ties are commonly used to signify held notes that cross measures or bars.


The opposite may also happen, we can shorten the amount of time a note should be held, relative to the quarter note. Faster notes are signified with either flags, like the ones discussed above, or with beams between the notes. Each flag halves the value of a note, so a single flag signifies 1/2 of a quarter note, a double flag halves that to 1/4 of a quarter note, et cetera. Beams do the same, while allowing us to read the music more clearly and keep the notation less cluttered. As you can see, there’s no difference in how you count the eighth and 16th notes above. Follow along with the sheet music for “Alouette” to see how beams organize notes!
But what happens when there isn’t a note taking up each beat? It’s easy, we take a rest! A rest, just like a note, shows us how long it should be held based on its shape. See how whole and quarter rests are used in the song “Here We Go Looby-Loo.”
 continued..............

Senin, 17 Juli 2017

The Beatles - Band Legenda

Biografi The Beatles. The Beatles adalah kelompok pemusik Inggris beraliran rock, dibentuk di Liverpool pada tahun 1960, Awalnya 5 orang terdiri dari Lennon, McCartney, Harrison, Stuart Sutcliffe (bas) dan Pete Best (drum), kelompok ini terdiri dari John Lennon (gitar ritem, vokal), Paul McCartney (gitar bass, vokal), George Harrison (gitar utama, vokal), Ringo Starr (drum, vokal). The Beatles dipandang sebagai perwujudan ide-ide progresif, berpengaruh terhadap revolusi sosial budaya dekade 60-an.

The Beatles hanya terkenal di klub-klub Liverpool dan Hamburg selama 3 tahun mulai tahun 1960. Sutcliffe hengkang tahun 1961, dan Best diganti Starr tahun berikutnya. Beatles ditempa jadi profesional oleh seorang pengusaha toko musik bernama Brian Epstein setelah ia jadi manajer mereka dan potensi musik dipoles oleh produser George Martin. Akhir 1962, Beatles sudah mendapatkan kesuksesan di Britania Raya dengan singel pertama Love Me Do. Sepanjang tahun berikut, mereka melakukan tur internasional sampai 1966 dan berkonsentrasi merekam album di dalam negeri sampai bubar tahun 1970. Karir solo masing-masing dibilang sukses tapi Lennon terbunuh di New York City tahun 1980 dan Harisson meninggal karena kanker tahun 2001. McCartney dan Starr masih aktif bermusik.

Dalam tahun-tahun rekaman album studio, Beatles merilis karya-karya yang dinilai terbaik oleh kritikus, salah satunya Sgt. Pepper's Lonely Hearts Club Band (1967), dipuji sebagai karya agung. Empat dekade setelah bubar, musiknya masih populer. Mereka memiliki lebih dari satu album nomor 1 di tangga lagu Britania Raya dan bertengger paling lama dibanding pemusik manapun. Berdasarkan RIAA, mereka adalah pemusik yang menjual album terbanyak di Amerika Serikat. Tahun 2008, majalah Billboard merilis daftar musikus dengan penjualan terbesar sepanjang sejarah Hot 100 untuk merayakan 15 tahun hari jadi tangga lagu singel Amerika dimana The Beatles berada di nomor satu. Tujuh kali mendapat Grammy Awards, 15 Ivor Novello Awards dari British Academy of Songwriters, Composers and Authors, The Beatles secara kolektif dimasukkan dalam kompilasi majalah TIME sebagai satu dari 100 orang paling berpengaruh di abad ke-20.
Masih berusia 16 tahun, penyanyi dan gitaris John Lennon membentuk grup musik skiffle bernama The Quarrymen dengan teman-teman sekolah asal Liverpool bulan Maret 1957. Paul McCartney berusia lima belas tahun saat mereka bertemu bulan Juli tahun itu. George Harrison bergabung sebagai gitaris utama bulan Februari tahun berikutnya setelah diundang McCartney menonton. Tahun 1960, teman-teman sekolah Lennon keluar dan ia masuk Liverpool College of Art. Ketiga orang itu memainkan musik rock and roll setiap mendapatkan seorang penggebuk drum. Bergabung sebagai bass di Januari, teman sekelas Lennon, Stuart Sutcliffe menyarankan untuk mengganti nama grup menjadi The Beetles sebagai bentuk kekaguman terhadap Buddy Holly dan The Crickets, lalu berubah lagi menjadi The Beatals di bulan-bulan pertama tahun itu. Setelah coba-coba nama lain seperti Johnny and the Moondogs, Long John and The Beetles dan The Silver Beatles, grup itu akhirnya menjadi The Beatles di bulan Agustus.

Kurangnya penggebuk drum yang tetap menjadi masalah saat manajer tak resmi mereka, Allan Williams menyiapkan kediaman untuk manggung di Hamburg, Jerman. Sebelum Agustus berakhir, mereka mengadakan audisi dan menemukan Pete Best, dan langsung berangkat ke Hamburg empat hari kemudian, menandatangani kontrak untuk bermain musik dengan penyelenggara pertunjukan bernama Bruno Koschmider untuk 48 malam. Pertunjukkan Beatles laris di Hamburg dimana mereka bermain musik berjam-jam dan mengakibatkan jalanan macet karena dipenuhi orang yang keluar masuk menonton pertunjukkan mereka.

Harrison yang masih berusia 17 tahun di bulan Agustus 1960, berbohong kepada petugas Jerman mengenai usianya agar bisa tinggal di Hamburg. Awalnya mereka ditempatkan di Indra Club, Koschmider lalu memindahkan mereka ke Kaiserkeller pada bulan Oktober setelah Indra ditutup karena dianggap bising. Saat Beatles melanggar kontrak dengan manggung di Top Ten Club yang jadi rivalnya, Koschmider melaporkan Harrison yang di bawah umur kepada otoritas dan dideportasi bulan November. McCartney dan Best juga ditangkap karena kasus pembakaran di kamar mereka di pertengahan Desember, setelah itu mereka juga dideportasi. Lennon kembali ke Liverpool pertengahan Desember sementara Sutcliffe tetap di Hamburg selama beberapa bulan. Ia berpacaran dengan gadis Jerman, Astrid Kirchherr yang pertama kali mengambil foto profesional Beatles dan memangkas rambut Sutcliffe dengan gaya yang populer masa itu, exi (existensialis). Gaya rambut Sutcliffe kelak menginspirasi anggota Beatles yang lain.'
Tahun-tahun berikutnya, kelompok ini kembali ke Hamburg. Mereka mencoba-coba Preludin dengan sengaja untuk menjaga tenaga agar bisa kuat manggung semalaman suntuk. Sutcliffe memutuskan keluar awal tahun 1961 dan dan melanjutkan studi di Jerman, jadi McCartney mengambil alih bass. Produser Jerman Berta Kaempfert mengontrak Beatles yang sudah jadi empat orang untuk band latar Tony Sheridan dalam beberapa buah rekaman. Dikreditkan Tony Sheridan dan The Beat Brothers, singel My Bonnie direkam bulan Juni dan dirilis beberapa bulan kemudian, berada di urutan ke-32 tangga lagu Musikmarkt. Beatles jadi lebih dikenal saat pulang ke Liverpool. Saat masih sering bermain di The Cavern Club, mereka bertemu Brian Epstein, pemilik studio rekaman lokal dan seorang kolumnis musik. Beatles menunjuk Epstein sebagai manajer pada Januari 1962 dan Kaempfert setuju untuk melepas mereka dari kontrak rekaman Jerman. Setelah suatu audisi mereka ditolak Decca Records dengan komentar "grup gitar sudah ketinggalan zaman, Tuan Epstein" ("Guitar groups are on the way out, Mr. Epstein"), George Martin mengajukan grup itu ke label Parlophone di EMI. Pada bulan April mereka kembali ke Hamburg dan dikagetkan dengan berita kematian Sutcliffe akibat pendarahan otak.

Grup ini mendapat pengarahan George Martin di Studio Abbey Road EMI, London untuk pertama kali tahun 1962. Martin mengeluh tentang cara bermain drum Best kepada Epstein dan menyarankan agar Beatles memakai drummer sesi di studio. Akhirnya, Best digantikan oleh Ringo Star yang baru keluar dari Rory Storm and the Hurricanes. Sebenarnya Starr sudah bermain untuk Beatles menggantikan Best yang sering absen. Martin masih menyewa Andy White sebagai drummer sesi untuk satu sesi saja. White berkontribusi dalam singel Love Me Do dan P.S I Love You. Dirilis bulan Oktober, Love Me Do masuk tangga lagu 20 besar di Inggris dan berada di nomor 17. Setelah selesai rekaman untuk singel kedua berjudul Please Please Me pada bulan November, mereka mulai muncul di televisi pertama kali dalam program berita People and Place. Grup itu manggung terakhir kalinya di Hamburg bulan Desember 1962. Sekarang sudah menjadi pola, keempat anggota berkontribusi terhadap vokal, walau hanya Starr yang jarang jadi vokal utama karena jangkauannya terbatas.
Lennon dan McCartney sudah bekerja sama dalam menulis lirik, sementara Harrison juga bernyanyi walau sedikit. Epstein mencium potensi Beatles yang besar, menyarankan agar grup itu bersikap lebih profesional saat menghibur. Lennon mengulangi kata-kata manajernya, "Begini, jika kau benar-benar ingin masuk ke tempat yang lebih besar, kau harus berubah – berhenti makan di panggung, berhenti menyumpah, berhenti merokok" ("Look, if you really want to get in these bigger places, you're going to have to change—stop eating on stage, stop swearing, stop smoking") Ia juga mengatakan, "kami terbiasa mengenakan pakaian yang kami suka, di dalam dan luar panggung. Ia berkata pada kami bahwa jin kurang terlihat bagus dan menyarankan untuk mengenakan celana yang lebih pantas, tapi ia tidak ingin kami kelihatan kotak-kotak. Ia ingin kami mempunyai gaya individualitas kami masing-masing… merupakan pilihan untuk mewujudukannya atau masih makan ayam di panggung". ("We used to dress how we liked, on and off stage. He'd tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didn't want us suddenly looking square. He'd let us have our own sense of individuality ... it was a choice of making it or still eating chicken on stage".)

McCartney mengajukan gugatan untuk pembubaran The Beatles pada tanggal 31 Desember 1970. Namun begitu, perselisihan yang menyangkut masalah-masalah di dalamnya tidak berakhir sampai tahun 1975. Lennon, McCartney, Harrison dan Starr masing-masing merilis album solo pada tahun 1970, selanjutnya ada beberapa kali kerja sama antar satu atau lebih orang mantan personel. Album Ringo Starr, Ringo (1973) adalah satu-satunya album yang berisi komposisi dan pertunjukkan keempat mantan personel, tapi dalam lagu yang terpisah.

Lennon ditembak dan meninggal dunia pada tanggal 8 Desember 1980 di New York City. Sebagai ucapan personal, Harrison menulis All Those Years Ago, lagu tentang waktu-waktunya bersama The Beatles yang direkam sebelum kematian Lennon. Dengan istrinya Linda, McCartney berkontribusi dalam vokal latar, dan Starr pada drum. Lagu tersebut dinyanyikan ulang dengan lirik baru serta dirilis sebagai singel pada Mei 1981. Karya individu McCartney, Here Today, muncul dalam album Tug of War pada bulan April 1982. Pada tahun 1987, Harrison merilis album yang berjudul album Cloud Nine yang berisi When We Was Fab, sebuah lagu yang menceritakan masa-masa Beatlemania.

Live at the BBC, perilisan resmi pertama yang berisikan pertunjukkan The Beatles yang tidak dirilis dalam 17 tahun terakhir, akhirnya muncul di tahun 1994. Pada tahun yang sama, McCartney, Harrison dan Starr melakukan reuni untuk proyek The Beatles Anthology, yang sebenarnya sudah dikerjakan mulai akhir 1960-an oleh Neil Aspinall. Awalnya sebagai manajer perjalanan dan kemudian asisten personal The Beatles, Aspinall mulai mengumpulkan material untuk film dokumenter setelah ia menjadi direktur Apple Corps di tahun 1968. Mendokumentasikan sejarah The Beatles, proyek ini meliputi perilisan banyak rekaman-rekaman yang tak dirilis; McCartney, Harrison dan Starr juga menambah beberapa permainan alat musik dan vokal baru ke 2 lagu demo yang direkam Lennon di akhir 1970-an. Di tahun 1995 dan 1996, proyek tersebut menghasilkan 5 seri televisi, video volume-8 dan 3 set box CD (berisi 2). Dua lagu demo Lennon, Free as a Bird dan Real Love masing-masing dirilis lagi sebagai singel. Box CD menyertakan karya Klaus Voorman, sang kreator sampul album Revolver di tahun 1966. Penjualan mencapai kesukesasan besar dan seri televisinya telah ditonton lebih dari 400 juta orang di seluruh dunia.

Biodata / Profil Th Beatles
Personil The Beatles John Lennon (gitar ritem, vokal)
Paul McCartney (gitar bass, vokal)
George Harrison (gitar utama, vokal)
Ringo Starr (drum, vokal).

Daftar Album Please Please Me terbit 1963-03-22
With the Beatles terbit 1963-11-22
A Hard Day's Night terbit 1964-07-10
Beatles for Sale terbit 1964-12-04
Help! terbit 1965-08-06
Rubber Soul terbit 1965-12-03
Revolver terbit 1966-08-05
Sgt. Pepper's Lonely Hearts Club Band terbit 1967-06-01
The Beatles ("The White Album") terbit 1968-11-22
Yellow Submarine terbit 1969-01-17
Abbey Road terbit 1969-09-26
Let It Be terbit 1970-05-08
 


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